historicaltimes:

German student Benno Ohnesorg after he was shot dead by a plain clothes police officer, an incident that served as a rallying point for the left-wing student movement of the late 1960s, West Berlin, 1967 -
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historicaltimes:

German student Benno Ohnesorg after he was shot dead by a plain clothes police officer, an incident that served as a rallying point for the left-wing student movement of the late 1960s, West Berlin, 1967 -

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phil-irish-artist:

By copyrighting his property as an artwork, he has prevented oil companies from drilling on it.
Peter Von Tiesenhausen has developed artworks all over his property in northern Alberta.  There’s a boat woven from sticks that is gradually being reclaimed by the land; there is a fence that he adds to each year of his life, and there are many “watching” trees, with eyes scored into their bark.
Oil interests pester him continually about drilling on his land.  His repeated rebuffing of their advances lead them to move toward arbitration.  They made it very clear that he only owned the top 6 inches of soil, and they had rights to anything underneath.  He then, off the top of his head, threatened them that he would sue damages if they disturbed his 6 inches, for the entire property is an artwork.  Any disturbance would compromise the work, and he would sue.
Immediately after that meeting, he called a lawyer (who is also an art collector) and asked if his intuitive threat would actually hold legally.  The lawyer visited, saw the scope of the work on the property, and wrote a document protecting the artwork.
The oil companies have kept their distance ever since.
This is but one example of Peter’s ability to negotiate quickly on his feet, and to find solutions that defy expectations.
Zoom Info
phil-irish-artist:

By copyrighting his property as an artwork, he has prevented oil companies from drilling on it.
Peter Von Tiesenhausen has developed artworks all over his property in northern Alberta.  There’s a boat woven from sticks that is gradually being reclaimed by the land; there is a fence that he adds to each year of his life, and there are many “watching” trees, with eyes scored into their bark.
Oil interests pester him continually about drilling on his land.  His repeated rebuffing of their advances lead them to move toward arbitration.  They made it very clear that he only owned the top 6 inches of soil, and they had rights to anything underneath.  He then, off the top of his head, threatened them that he would sue damages if they disturbed his 6 inches, for the entire property is an artwork.  Any disturbance would compromise the work, and he would sue.
Immediately after that meeting, he called a lawyer (who is also an art collector) and asked if his intuitive threat would actually hold legally.  The lawyer visited, saw the scope of the work on the property, and wrote a document protecting the artwork.
The oil companies have kept their distance ever since.
This is but one example of Peter’s ability to negotiate quickly on his feet, and to find solutions that defy expectations.
Zoom Info

phil-irish-artist:

By copyrighting his property as an artwork, he has prevented oil companies from drilling on it.

Peter Von Tiesenhausen has developed artworks all over his property in northern Alberta.  There’s a boat woven from sticks that is gradually being reclaimed by the land; there is a fence that he adds to each year of his life, and there are many “watching” trees, with eyes scored into their bark.

Oil interests pester him continually about drilling on his land.  His repeated rebuffing of their advances lead them to move toward arbitration.  They made it very clear that he only owned the top 6 inches of soil, and they had rights to anything underneath.  He then, off the top of his head, threatened them that he would sue damages if they disturbed his 6 inches, for the entire property is an artwork.  Any disturbance would compromise the work, and he would sue.

Immediately after that meeting, he called a lawyer (who is also an art collector) and asked if his intuitive threat would actually hold legally.  The lawyer visited, saw the scope of the work on the property, and wrote a document protecting the artwork.

The oil companies have kept their distance ever since.

This is but one example of Peter’s ability to negotiate quickly on his feet, and to find solutions that defy expectations.

If two girls speak at the same time, they hook the little fingers of their right hands together, and wish a wish, and then loose. They must not speak again till some one asks them a question, or the charm is broken.

Excerpt From: Folklore Society (Great Britain). “Durham Folklore.” London, Folk-lore Society. (via charlottesarahscrivener)

dichotomization:

When police arrived at Ed Gein’s farmhouse to question him about Mrs. Worden’s whereabouts, they came upon the body of the fifty-eight-year-old grandmother in the summer kitchen behind the house. Hanging by her heels from a pulley, she had been beheaded and disemboweled - strung up and dressed like a butchered deer. The stunned and sickened officers called for reinforcements. Before long, a dozen or more lawmen showed up at the farm and began exploring the unspeakable contents of Ed Gein’s house of horrors. What they found during that long, hellish night was appalling beyond belief.
Soup bowls made from the sawed-off tops of human heads. Chairs upholstered in human flesh. Lampshades fashioned of skin. A boxful of noses. A shade pull decorated with a pair of woman’s lips. A belt made from female nipples. A shoe box containing a collection of preserved female genitalia. The faces of nine women, carefully dried, stuffed with paper and mounted, like hunting trophies, on a wall. A skin vest, complete with breasts, which had been fashioned from the tanned upper torso of a middle-aged woman. Later, Eddie confessed that, at night, he would lace the skin around himself and go mincing around the farmhouse, pretending to be his mother.
Zoom Info
dichotomization:

When police arrived at Ed Gein’s farmhouse to question him about Mrs. Worden’s whereabouts, they came upon the body of the fifty-eight-year-old grandmother in the summer kitchen behind the house. Hanging by her heels from a pulley, she had been beheaded and disemboweled - strung up and dressed like a butchered deer. The stunned and sickened officers called for reinforcements. Before long, a dozen or more lawmen showed up at the farm and began exploring the unspeakable contents of Ed Gein’s house of horrors. What they found during that long, hellish night was appalling beyond belief.
Soup bowls made from the sawed-off tops of human heads. Chairs upholstered in human flesh. Lampshades fashioned of skin. A boxful of noses. A shade pull decorated with a pair of woman’s lips. A belt made from female nipples. A shoe box containing a collection of preserved female genitalia. The faces of nine women, carefully dried, stuffed with paper and mounted, like hunting trophies, on a wall. A skin vest, complete with breasts, which had been fashioned from the tanned upper torso of a middle-aged woman. Later, Eddie confessed that, at night, he would lace the skin around himself and go mincing around the farmhouse, pretending to be his mother.
Zoom Info
dichotomization:

When police arrived at Ed Gein’s farmhouse to question him about Mrs. Worden’s whereabouts, they came upon the body of the fifty-eight-year-old grandmother in the summer kitchen behind the house. Hanging by her heels from a pulley, she had been beheaded and disemboweled - strung up and dressed like a butchered deer. The stunned and sickened officers called for reinforcements. Before long, a dozen or more lawmen showed up at the farm and began exploring the unspeakable contents of Ed Gein’s house of horrors. What they found during that long, hellish night was appalling beyond belief.
Soup bowls made from the sawed-off tops of human heads. Chairs upholstered in human flesh. Lampshades fashioned of skin. A boxful of noses. A shade pull decorated with a pair of woman’s lips. A belt made from female nipples. A shoe box containing a collection of preserved female genitalia. The faces of nine women, carefully dried, stuffed with paper and mounted, like hunting trophies, on a wall. A skin vest, complete with breasts, which had been fashioned from the tanned upper torso of a middle-aged woman. Later, Eddie confessed that, at night, he would lace the skin around himself and go mincing around the farmhouse, pretending to be his mother.
Zoom Info
dichotomization:

When police arrived at Ed Gein’s farmhouse to question him about Mrs. Worden’s whereabouts, they came upon the body of the fifty-eight-year-old grandmother in the summer kitchen behind the house. Hanging by her heels from a pulley, she had been beheaded and disemboweled - strung up and dressed like a butchered deer. The stunned and sickened officers called for reinforcements. Before long, a dozen or more lawmen showed up at the farm and began exploring the unspeakable contents of Ed Gein’s house of horrors. What they found during that long, hellish night was appalling beyond belief.
Soup bowls made from the sawed-off tops of human heads. Chairs upholstered in human flesh. Lampshades fashioned of skin. A boxful of noses. A shade pull decorated with a pair of woman’s lips. A belt made from female nipples. A shoe box containing a collection of preserved female genitalia. The faces of nine women, carefully dried, stuffed with paper and mounted, like hunting trophies, on a wall. A skin vest, complete with breasts, which had been fashioned from the tanned upper torso of a middle-aged woman. Later, Eddie confessed that, at night, he would lace the skin around himself and go mincing around the farmhouse, pretending to be his mother.
Zoom Info

dichotomization:

When police arrived at Ed Gein’s farmhouse to question him about Mrs. Worden’s whereabouts, they came upon the body of the fifty-eight-year-old grandmother in the summer kitchen behind the house. Hanging by her heels from a pulley, she had been beheaded and disemboweled - strung up and dressed like a butchered deer. The stunned and sickened officers called for reinforcements. Before long, a dozen or more lawmen showed up at the farm and began exploring the unspeakable contents of Ed Gein’s house of horrors. What they found during that long, hellish night was appalling beyond belief.

Soup bowls made from the sawed-off tops of human heads. Chairs upholstered in human flesh. Lampshades fashioned of skin. A boxful of noses. A shade pull decorated with a pair of woman’s lips. A belt made from female nipples. A shoe box containing a collection of preserved female genitalia. The faces of nine women, carefully dried, stuffed with paper and mounted, like hunting trophies, on a wall. A skin vest, complete with breasts, which had been fashioned from the tanned upper torso of a middle-aged woman. Later, Eddie confessed that, at night, he would lace the skin around himself and go mincing around the farmhouse, pretending to be his mother.

thirliewhirl:

girls, who were bullied most of their life and gain confidence at one point, should be feared most because they dont take anyone’s shit no longer and they will destroy you if you think otherwise